“…dead bodies are maps of power and identity.” (Foltyn 2008: 104)

This site is about the many ways in which we increasingly interact with the material remains of the dead in contemporary society. I am interested in how dead bodies play a variety of roles in diverse social, cultural, economic and political processes. As death perhaps becomes less of a taboo in “Western” societies, are the dead becoming more visible in everyday life? If so, what role do they play in processes as diverse as identity formation, nation building, media, protest, memory, remembrance and commemoration, celebrity and fandom, economies of death, trade in body parts, sexual orientation, belief systems and tourism?

“We” (perhaps more so in Western societies) tend to think of the dead, once buried, as static and immobile and separated from life. And yet corpses are increasingly the focus of contemporary social interest, are increasingly represented in diverse ways in different media, and are often surprisingly mobile. How do corpses perform diverse roles as material subjects and agents embedded in wider networks composed of human and non-human, material and immaterial actors? Dead bodies often form parts of complex assemblages of sites of burial and disposal, artefacts associated with burial sites or forms of remembrance, memories, ceremonies, and rituals (both personal and everyday and led by the nation-state and spectacular).

Throughout this there is also a concern with the ethics of talking about and representing the dead. There must be respect for the dead as people and as loved ones. This extends to considering the limits to which the dead should be displayed, on this blog and elsewhere in different media and contexts. One issue for me, for example, is in the ethics of teaching about the dead in a university context. I hope in this blog these issues are always carefully observed.

Mug shot editedAbout me: Professor Craig Young – I am Professor of Human Geography at Manchester Metropolitan University, UK. My research and teaching interests include a focus on the cultural politics of identity, and the role of space and place in these processes. In particular I have focused on the remaking of identity in the former Communist countries of East and Central Europe and the former Soviet Union. This included a focus on the role of the dead bodies of Romanian Communist leaders and politicians in contemporary identity formation in Romania (particularly work carried out in collaboration with Dr Duncan Light of Bournemouth University). From that work, I developed a broader interest in the corpse in society more generally.

I have expanded that interest through two main projects: the ‘Encountering Corpses’ day events, featuring a mix of academic speakers and professionals and visits, tours and exhibitions, and a funded Research Seminar Series also mixing academics and practitioners. You can read more about those projects (and other related events) by following the menu links above.

You can contact me on email at: c.young@mmu.ac.uk

Webpages at: http://www.egs.mmu.ac.uk/young.htm

Encountering Corpses is supported by my co-convenor and curator Helen Darby:

10985872514_e0d925f13a_oHelen Darby is Research Impact and Public Engagement Manager for the Faculty of Arts and Humanities at Manchester Metropolitan University. She is the co-ordinator and curator of the award- winning Humanities In Public Festival (2013-2017), now re-branded as RAH! – Research in Arts and Humanities at Manchester Met, and the equally successful and long running Gothic Manchester Festival. Helen specialises in producing provocative and challenging public engagement with socially engaged research.

Web: www.mmu.ac.uk/rah